ID: e7f80472f3d94bb7bb583b5e859888f4
Name: 11759X002.jpg
Size: 67.81 kb
Dimensions: 600x432 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: bd724a6f004f4ac7b2ee6352d89f12f6
Name: 11759X004.jpg
Size: 57.76 kb
Dimensions: 441x600 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: c88d1c7003404658863c609614290244
Name: 11759X005.jpg
Size: 64.19 kb
Dimensions: 600x421 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 89955479e2744e17aca7a18390f804a8
Name: 11759X006.jpg
Size: 90.06 kb
Dimensions: 551x600 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 2fafa07339104415a4bfac66f395010e
Name: 11759X007.jpg
Size: 64.49 kb
Dimensions: 383x600 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 7e8db3774ff746a0aa6ec58a2cc721ee
Name: 11759X008.jpg
Size: 65.79 kb
Dimensions: 600x407 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 9d64f242ab234815a7ebaa27adab8c4a
Name: 11759X009.jpg
Size: 60.18 kb
Dimensions: 600x420 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 7aa3591092454ea59d9ccab4d691a32d
Name: 11759X012.jpg
Size: 64.87 kb
Dimensions: 600x418 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 93d93e5d1f1f40d0a97fbbbd06d46c2b
Name: 11759X015.jpg
Size: 41.91 kb
Dimensions: 600x201 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 1e2206763e3d4babb50286e04c9ef2af
Name: 11759X017.jpg
Size: 37.99 kb
Dimensions: 600x157 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 2aa2979528c645008161ec17f8ddceff
Name: 11759X018.jpg
Size: 45.78 kb
Dimensions: 600x257 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 658930ebecbf4624a0682ad2760a647f
Name: 11759X019.jpg
Size: 78.66 kb
Dimensions: 450x600 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: c3d1fb1fbfa4483886d00d094678df70
Name: 11759X020.jpg
Size: 64.57 kb
Dimensions: 600x456 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 10c8b5b4e7764936b2e929b4c2331485
Name: 11759X021.jpg
Size: 59.16 kb
Dimensions: 600x395 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: ce1a84be4ba6424cae8ac8ada3bba1bc
Name: 11759X040.jpg
Size: 82.13 kb
Dimensions: 474x600 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 9b03b181d9ad49569eacfa1743aa7719
Name: 11759X041.jpg
Size: 55.44 kb
Dimensions: 600x325 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 3f745e40acbe4fb38418ce06e7c4e070
Name: 11759X101.jpg
Size: 56.4 kb
Dimensions: 600x288 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 62eca5555b1245e293ac2582c36b4dc5
Name: 11759X103.jpg
Size: 86.21 kb
Dimensions: 600x477 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 6433aa7bf7234cde97966f96bae2afcc
Name: 11759X104.jpg
Size: 59.52 kb
Dimensions: 600x421 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 845abd3cf55d44e585794e4f6564ca14
Name: 11759X106.jpg
Size: 77.66 kb
Dimensions: 600x479 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 8c9e08e4e0584b5a96d798ddf611f841
Name: 11759X107.jpg
Size: 51.23 kb
Dimensions: 600x350 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 7c7ed37fbfda4544b6d0af81ff833307
Name: 11759X108.jpg
Size: 72.38 kb
Dimensions: 600x433 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: bf28a1383de24d899570b633dad797f6
Name: 11759X109.jpg
Size: 57.99 kb
Dimensions: 423x600 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: bc3baf7833464d748dd6222198b2c453
Name: 11759X110.jpg
Size: 49.79 kb
Dimensions: 600x307 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: b35012cafddc4e7698093702dad50f5a
Name: 11759X111.jpg
Size: 54.24 kb
Dimensions: 600x286 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 8762f0a154a14573b319492e6c49a6cb
Name: 11759X112.jpg
Size: 62.67 kb
Dimensions: 600x427 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 9135c4dd861144ec816a61a21cdb830b
Name: 11759X113.jpg
Size: 54.11 kb
Dimensions: 600x276 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 41510f0796b24b1e82913404ada84080
Name: 11759X114.jpg
Size: 56.98 kb
Dimensions: 600x333 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: b88b7b5a83964368bb5f18aeca72ec33
Name: 11759X115.jpg
Size: 61.25 kb
Dimensions: 600x317 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 40b322ab62144df5bb15ff739a25d417
Name: 11759X233.jpg
Size: 99.11 kb
Dimensions: 600x436 px
Resolution: 72x72 ppi
Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MID2081, SMID11759, frise est, Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, I. 1. Prozessionen gr 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407, frieze, relief, marble, -440, AthensAcropolis, Greece, Athens, Acropolis Museum, Frises, phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
ID: 65d55333b049453ea92db97a0174153c
Name: 48776X001.jpg
Size: 100.59 kb
Dimensions: 600x517 px
Resolution: 72x72 ppi
Title: MID7558, SMID48776
Description: relief, stuccowork, Etruria – Material: stucco – Dating: -310/-290 – Discovery: Cerveteri, Caerenecropolis of the Banditaccia – Description: Das gesamte Grab ist mit Stuckreliefs verziert. An der Rückwand unter der Hauptnische findet sich die Darstellung eines Meerwesens (Charun-Skylla), der Oberkörper frontal, der Kopf nach rechts gewandt. Die nach aussen zu einer Spirale gedrehten Schlangenbeine enden in Schlangenköpfen, die heute allerdings abgefallen sind. In der rechten Hand hält er ein Ruder, die linke umfasst eine Schlange, von der nur noch die Ansatzspuren vorhanden sind. Neben dem Meerwesen kauert Kerberos mit zwei nach vorn und einem nach hinten gerichteten Kopf. Weitere Stuckreliefs sitzen an den vier Pfeilern in der Mitte der Kammer, darauf sind etliche Waffen, Schilde, Helme sowie weitere Utensilien dargestellt. An den Pfeilern links und rechts der Mittelnischen sind zwei Büsten angebracht. Die rechte zeigt Hades mit Wolfskappe, die am Hals verknotet ist, die linke Phersipnei (die etruskische Variante der Persephone). Am rechten Pilaster an der Vorderseite sitzt eine Axt über einem tragbaren offenen Halter, in dem zwei Messer stecken. Der Typus der Axt (sacena) mit gebogenem Stil, an dem ein relativ schmales Blatt an einer Tülle befestigt ist, kommt als Realfund z.B. in Gräbern des 7. Jhs. in Casale Marittima vor. Die beigegebenen Exemplare sind allerdings nicht verwendbar, es handelt sich also um Symbolwaffen, möglicherweise mit Insigniencharakter. Die ausserdem abgebildeten Gegenstände (obeloi und Schöpflöffel) weisen auf eine Verwendung des ganzen Ensembles in der Fleischzubereitung hin, sind allerdings keine Indizien für die kultische Nutzung der Objekte. Auf dem anderen Pfeiler ist ein langes Hiebmesser (Typ machaira) dargestellt zusammen mit einer weiteren Axt (Typ dolabra). Die anderen Seiten der Pfeiler tragen verschiedene Gebrauchs- und Prestigegegenstände (Messer, obeloi, Kannen, Schalen, Seil, Gürtel, sella curulis, Schreibtafel, Zange, Dreifusskessel, lituus, Kissen, Rucksack) und einige Tiere (Hund, Gans, Ente, Eidechse, Schildkröte, Marder). An der Eingangswand ist eine skaph
Keywords: MID7558, SMID48776, Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg etr 4, relief, stuccowork, Etruria, stucco, -310/-290, Cerveteri, Caerenecropolis of the Banditaccia, Italy, Necropoli della Banditaccia, Tomba dei Rilievi, wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Calu, Kerberos, Persephone/Phersipnai, Skylla I
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID7558, SMID48776 – LIMC/ThesCRA: Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg, etr. 4
LIMC/ThesCRA Keywords: wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Hades/Aita, Calu, Kerberos, Persephone/Phersipnai, Skylla I
LIMC/ThesCRA Bibliography: Johansen, K. F., Sacena. Zur Geschichte der römischen Opfergeräte, in: Acta Archäologica 3 (1932), 124/5, Abb. 8–10; Blanck, H. /Proietti, G., La Tomba dei Rilievi di Cerveteri, Roma 1986, 17, 33, Fig. 6, 21, Taf. I-V, IX – XIII, XVI-XVII, XIX d, XXII; De Ruyt, F., Charun: démon étrusque de la mort (1934), 134–5, Abb. 57; Giglioli, G., l’arte etrusca (1935) Taf. 341, 2; Cristofani, M., La Tomba delle Iscrizione a Cerveteri (1965), 29–30, Taf. 20, 1; Sprenger, M. /Bartoloni, G. /Hirmer, M., Die Etrusker, Kunst und Geschichte Taf. 225 unten; Boosen 20–21 IIIa 2, Taf. 4, 5.
LIMC/ThesCRA Place/Museum: Italy, Cerveteri, Necropoli della Banditaccia, Inventory: Tomba dei Rilievi (1. Inv.)
ID: 11a2195b1e274cf8bbaa8abf5bd0d46c
Name: 48776X102.jpg
Size: 63.99 kb
Dimensions: 365x600 px
Resolution: 72x72 ppi
Title: MID7558, SMID48776
Description: relief, stuccowork, Etruria – Material: stucco – Dating: -310/-290 – Discovery: Cerveteri, Caerenecropolis of the Banditaccia – Description: Das gesamte Grab ist mit Stuckreliefs verziert. An der Rückwand unter der Hauptnische findet sich die Darstellung eines Meerwesens (Charun-Skylla), der Oberkörper frontal, der Kopf nach rechts gewandt. Die nach aussen zu einer Spirale gedrehten Schlangenbeine enden in Schlangenköpfen, die heute allerdings abgefallen sind. In der rechten Hand hält er ein Ruder, die linke umfasst eine Schlange, von der nur noch die Ansatzspuren vorhanden sind. Neben dem Meerwesen kauert Kerberos mit zwei nach vorn und einem nach hinten gerichteten Kopf. Weitere Stuckreliefs sitzen an den vier Pfeilern in der Mitte der Kammer, darauf sind etliche Waffen, Schilde, Helme sowie weitere Utensilien dargestellt. An den Pfeilern links und rechts der Mittelnischen sind zwei Büsten angebracht. Die rechte zeigt Hades mit Wolfskappe, die am Hals verknotet ist, die linke Phersipnei (die etruskische Variante der Persephone). Am rechten Pilaster an der Vorderseite sitzt eine Axt über einem tragbaren offenen Halter, in dem zwei Messer stecken. Der Typus der Axt (sacena) mit gebogenem Stil, an dem ein relativ schmales Blatt an einer Tülle befestigt ist, kommt als Realfund z.B. in Gräbern des 7. Jhs. in Casale Marittima vor. Die beigegebenen Exemplare sind allerdings nicht verwendbar, es handelt sich also um Symbolwaffen, möglicherweise mit Insigniencharakter. Die ausserdem abgebildeten Gegenstände (obeloi und Schöpflöffel) weisen auf eine Verwendung des ganzen Ensembles in der Fleischzubereitung hin, sind allerdings keine Indizien für die kultische Nutzung der Objekte. Auf dem anderen Pfeiler ist ein langes Hiebmesser (Typ machaira) dargestellt zusammen mit einer weiteren Axt (Typ dolabra). Die anderen Seiten der Pfeiler tragen verschiedene Gebrauchs- und Prestigegegenstände (Messer, obeloi, Kannen, Schalen, Seil, Gürtel, sella curulis, Schreibtafel, Zange, Dreifusskessel, lituus, Kissen, Rucksack) und einige Tiere (Hund, Gans, Ente, Eidechse, Schildkröte, Marder). An der Eingangswand ist eine skaph
Keywords: MID7558, SMID48776, Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg etr 4, relief, stuccowork, Etruria, stucco, -310/-290, Cerveteri, Caerenecropolis of the Banditaccia, Italy, Necropoli della Banditaccia, Tomba dei Rilievi, wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Calu, Kerberos, Persephone/Phersipnai, Skylla I
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID7558, SMID48776 – LIMC/ThesCRA: Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg, etr. 4
LIMC/ThesCRA Keywords: wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Hades/Aita, Calu, Kerberos, Persephone/Phersipnai, Skylla I
LIMC/ThesCRA Bibliography: Johansen, K. F., Sacena. Zur Geschichte der römischen Opfergeräte, in: Acta Archäologica 3 (1932), 124/5, Abb. 8–10; Blanck, H. /Proietti, G., La Tomba dei Rilievi di Cerveteri, Roma 1986, 17, 33, Fig. 6, 21, Taf. I-V, IX – XIII, XVI-XVII, XIX d, XXII; De Ruyt, F., Charun: démon étrusque de la mort (1934), 134–5, Abb. 57; Giglioli, G., l’arte etrusca (1935) Taf. 341, 2; Cristofani, M., La Tomba delle Iscrizione a Cerveteri (1965), 29–30, Taf. 20, 1; Sprenger, M. /Bartoloni, G. /Hirmer, M., Die Etrusker, Kunst und Geschichte Taf. 225 unten; Boosen 20–21 IIIa 2, Taf. 4, 5.
LIMC/ThesCRA Place/Museum: Italy, Cerveteri, Necropoli della Banditaccia, Inventory: Tomba dei Rilievi (1. Inv.)
ID: c5e45ae3115444e5868c5ae36bc931b6
Name: 48776X103.jpg
Size: 87.41 kb
Dimensions: 492x600 px
Resolution: 72x72 ppi
Title: MID7558, SMID48776
Description: relief, stuccowork, Etruria – Material: stucco – Dating: -310/-290 – Discovery: Cerveteri, Caerenecropolis of the Banditaccia – Description: Das gesamte Grab ist mit Stuckreliefs verziert. An der Rückwand unter der Hauptnische findet sich die Darstellung eines Meerwesens (Charun-Skylla), der Oberkörper frontal, der Kopf nach rechts gewandt. Die nach aussen zu einer Spirale gedrehten Schlangenbeine enden in Schlangenköpfen, die heute allerdings abgefallen sind. In der rechten Hand hält er ein Ruder, die linke umfasst eine Schlange, von der nur noch die Ansatzspuren vorhanden sind. Neben dem Meerwesen kauert Kerberos mit zwei nach vorn und einem nach hinten gerichteten Kopf. Weitere Stuckreliefs sitzen an den vier Pfeilern in der Mitte der Kammer, darauf sind etliche Waffen, Schilde, Helme sowie weitere Utensilien dargestellt. An den Pfeilern links und rechts der Mittelnischen sind zwei Büsten angebracht. Die rechte zeigt Hades mit Wolfskappe, die am Hals verknotet ist, die linke Phersipnei (die etruskische Variante der Persephone). Am rechten Pilaster an der Vorderseite sitzt eine Axt über einem tragbaren offenen Halter, in dem zwei Messer stecken. Der Typus der Axt (sacena) mit gebogenem Stil, an dem ein relativ schmales Blatt an einer Tülle befestigt ist, kommt als Realfund z.B. in Gräbern des 7. Jhs. in Casale Marittima vor. Die beigegebenen Exemplare sind allerdings nicht verwendbar, es handelt sich also um Symbolwaffen, möglicherweise mit Insigniencharakter. Die ausserdem abgebildeten Gegenstände (obeloi und Schöpflöffel) weisen auf eine Verwendung des ganzen Ensembles in der Fleischzubereitung hin, sind allerdings keine Indizien für die kultische Nutzung der Objekte. Auf dem anderen Pfeiler ist ein langes Hiebmesser (Typ machaira) dargestellt zusammen mit einer weiteren Axt (Typ dolabra). Die anderen Seiten der Pfeiler tragen verschiedene Gebrauchs- und Prestigegegenstände (Messer, obeloi, Kannen, Schalen, Seil, Gürtel, sella curulis, Schreibtafel, Zange, Dreifusskessel, lituus, Kissen, Rucksack) und einige Tiere (Hund, Gans, Ente, Eidechse, Schildkröte, Marder). An der Eingangswand ist eine skaph
Keywords: MID7558, SMID48776, Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg etr 4, relief, stuccowork, Etruria, stucco, -310/-290, Cerveteri, Caerenecropolis of the Banditaccia, Italy, Necropoli della Banditaccia, Tomba dei Rilievi, wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Calu, Kerberos, Persephone/Phersipnai, Skylla I
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID7558, SMID48776 – LIMC/ThesCRA: Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg, etr. 4
LIMC/ThesCRA Keywords: wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Hades/Aita, Calu, Kerberos, Persephone/Phersipnai, Skylla I
LIMC/ThesCRA Bibliography: Johansen, K. F., Sacena. Zur Geschichte der römischen Opfergeräte, in: Acta Archäologica 3 (1932), 124/5, Abb. 8–10; Blanck, H. /Proietti, G., La Tomba dei Rilievi di Cerveteri, Roma 1986, 17, 33, Fig. 6, 21, Taf. I-V, IX – XIII, XVI-XVII, XIX d, XXII; De Ruyt, F., Charun: démon étrusque de la mort (1934), 134–5, Abb. 57; Giglioli, G., l’arte etrusca (1935) Taf. 341, 2; Cristofani, M., La Tomba delle Iscrizione a Cerveteri (1965), 29–30, Taf. 20, 1; Sprenger, M. /Bartoloni, G. /Hirmer, M., Die Etrusker, Kunst und Geschichte Taf. 225 unten; Boosen 20–21 IIIa 2, Taf. 4, 5.
LIMC/ThesCRA Place/Museum: Italy, Cerveteri, Necropoli della Banditaccia, Inventory: Tomba dei Rilievi (1. Inv.)
ID: 6777badccb034446aca2decd02ea598d
Name: 48776X104.jpg
Size: 99.95 kb
Dimensions: 600x513 px
Resolution: 72x72 ppi
Title: MID7558, SMID48776
Description: relief, stuccowork, Etruria – Material: stucco – Dating: -310/-290 – Discovery: Cerveteri, Caerenecropolis of the Banditaccia – Description: Das gesamte Grab ist mit Stuckreliefs verziert. An der Rückwand unter der Hauptnische findet sich die Darstellung eines Meerwesens (Charun-Skylla), der Oberkörper frontal, der Kopf nach rechts gewandt. Die nach aussen zu einer Spirale gedrehten Schlangenbeine enden in Schlangenköpfen, die heute allerdings abgefallen sind. In der rechten Hand hält er ein Ruder, die linke umfasst eine Schlange, von der nur noch die Ansatzspuren vorhanden sind. Neben dem Meerwesen kauert Kerberos mit zwei nach vorn und einem nach hinten gerichteten Kopf. Weitere Stuckreliefs sitzen an den vier Pfeilern in der Mitte der Kammer, darauf sind etliche Waffen, Schilde, Helme sowie weitere Utensilien dargestellt. An den Pfeilern links und rechts der Mittelnischen sind zwei Büsten angebracht. Die rechte zeigt Hades mit Wolfskappe, die am Hals verknotet ist, die linke Phersipnei (die etruskische Variante der Persephone). Am rechten Pilaster an der Vorderseite sitzt eine Axt über einem tragbaren offenen Halter, in dem zwei Messer stecken. Der Typus der Axt (sacena) mit gebogenem Stil, an dem ein relativ schmales Blatt an einer Tülle befestigt ist, kommt als Realfund z.B. in Gräbern des 7. Jhs. in Casale Marittima vor. Die beigegebenen Exemplare sind allerdings nicht verwendbar, es handelt sich also um Symbolwaffen, möglicherweise mit Insigniencharakter. Die ausserdem abgebildeten Gegenstände (obeloi und Schöpflöffel) weisen auf eine Verwendung des ganzen Ensembles in der Fleischzubereitung hin, sind allerdings keine Indizien für die kultische Nutzung der Objekte. Auf dem anderen Pfeiler ist ein langes Hiebmesser (Typ machaira) dargestellt zusammen mit einer weiteren Axt (Typ dolabra). Die anderen Seiten der Pfeiler tragen verschiedene Gebrauchs- und Prestigegegenstände (Messer, obeloi, Kannen, Schalen, Seil, Gürtel, sella curulis, Schreibtafel, Zange, Dreifusskessel, lituus, Kissen, Rucksack) und einige Tiere (Hund, Gans, Ente, Eidechse, Schildkröte, Marder). An der Eingangswand ist eine skaph
Keywords: MID7558, SMID48776, Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg etr 4, relief, stuccowork, Etruria, stucco, -310/-290, Cerveteri, Caerenecropolis of the Banditaccia, Italy, Necropoli della Banditaccia, Tomba dei Rilievi, wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Calu, Kerberos, Persephone/Phersipnai, Skylla I
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID7558, SMID48776 – LIMC/ThesCRA: Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg, etr. 4
LIMC/ThesCRA Keywords: wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Hades/Aita, Calu, Kerberos, Persephone/Phersipnai, Skylla I
LIMC/ThesCRA Bibliography: Johansen, K. F., Sacena. Zur Geschichte der römischen Opfergeräte, in: Acta Archäologica 3 (1932), 124/5, Abb. 8–10; Blanck, H. /Proietti, G., La Tomba dei Rilievi di Cerveteri, Roma 1986, 17, 33, Fig. 6, 21, Taf. I-V, IX – XIII, XVI-XVII, XIX d, XXII; De Ruyt, F., Charun: démon étrusque de la mort (1934), 134–5, Abb. 57; Giglioli, G., l’arte etrusca (1935) Taf. 341, 2; Cristofani, M., La Tomba delle Iscrizione a Cerveteri (1965), 29–30, Taf. 20, 1; Sprenger, M. /Bartoloni, G. /Hirmer, M., Die Etrusker, Kunst und Geschichte Taf. 225 unten; Boosen 20–21 IIIa 2, Taf. 4, 5.
LIMC/ThesCRA Place/Museum: Italy, Cerveteri, Necropoli della Banditaccia, Inventory: Tomba dei Rilievi (1. Inv.)
ID: dab37f9cd4ae4b6ba8e9052bdf06ff6a
Name: 48776X105.jpg
Size: 74.87 kb
Dimensions: 600x442 px
Resolution: 72x72 ppi
Title: MID7558, SMID48776
Description: relief, stuccowork, Etruria – Material: stucco – Dating: -310/-290 – Discovery: Cerveteri, Caerenecropolis of the Banditaccia – Description: Das gesamte Grab ist mit Stuckreliefs verziert. An der Rückwand unter der Hauptnische findet sich die Darstellung eines Meerwesens (Charun-Skylla), der Oberkörper frontal, der Kopf nach rechts gewandt. Die nach aussen zu einer Spirale gedrehten Schlangenbeine enden in Schlangenköpfen, die heute allerdings abgefallen sind. In der rechten Hand hält er ein Ruder, die linke umfasst eine Schlange, von der nur noch die Ansatzspuren vorhanden sind. Neben dem Meerwesen kauert Kerberos mit zwei nach vorn und einem nach hinten gerichteten Kopf. Weitere Stuckreliefs sitzen an den vier Pfeilern in der Mitte der Kammer, darauf sind etliche Waffen, Schilde, Helme sowie weitere Utensilien dargestellt. An den Pfeilern links und rechts der Mittelnischen sind zwei Büsten angebracht. Die rechte zeigt Hades mit Wolfskappe, die am Hals verknotet ist, die linke Phersipnei (die etruskische Variante der Persephone). Am rechten Pilaster an der Vorderseite sitzt eine Axt über einem tragbaren offenen Halter, in dem zwei Messer stecken. Der Typus der Axt (sacena) mit gebogenem Stil, an dem ein relativ schmales Blatt an einer Tülle befestigt ist, kommt als Realfund z.B. in Gräbern des 7. Jhs. in Casale Marittima vor. Die beigegebenen Exemplare sind allerdings nicht verwendbar, es handelt sich also um Symbolwaffen, möglicherweise mit Insigniencharakter. Die ausserdem abgebildeten Gegenstände (obeloi und Schöpflöffel) weisen auf eine Verwendung des ganzen Ensembles in der Fleischzubereitung hin, sind allerdings keine Indizien für die kultische Nutzung der Objekte. Auf dem anderen Pfeiler ist ein langes Hiebmesser (Typ machaira) dargestellt zusammen mit einer weiteren Axt (Typ dolabra). Die anderen Seiten der Pfeiler tragen verschiedene Gebrauchs- und Prestigegegenstände (Messer, obeloi, Kannen, Schalen, Seil, Gürtel, sella curulis, Schreibtafel, Zange, Dreifusskessel, lituus, Kissen, Rucksack) und einige Tiere (Hund, Gans, Ente, Eidechse, Schildkröte, Marder). An der Eingangswand ist eine skaph
Keywords: MID7558, SMID48776, Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg etr 4, relief, stuccowork, Etruria, stucco, -310/-290, Cerveteri, Caerenecropolis of the Banditaccia, Italy, Necropoli della Banditaccia, Tomba dei Rilievi, wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Calu, Kerberos, Persephone/Phersipnai, Skylla I
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID7558, SMID48776 – LIMC/ThesCRA: Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg, etr. 4
LIMC/ThesCRA Keywords: wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Hades/Aita, Calu, Kerberos, Persephone/Phersipnai, Skylla I
LIMC/ThesCRA Bibliography: Johansen, K. F., Sacena. Zur Geschichte der römischen Opfergeräte, in: Acta Archäologica 3 (1932), 124/5, Abb. 8–10; Blanck, H. /Proietti, G., La Tomba dei Rilievi di Cerveteri, Roma 1986, 17, 33, Fig. 6, 21, Taf. I-V, IX – XIII, XVI-XVII, XIX d, XXII; De Ruyt, F., Charun: démon étrusque de la mort (1934), 134–5, Abb. 57; Giglioli, G., l’arte etrusca (1935) Taf. 341, 2; Cristofani, M., La Tomba delle Iscrizione a Cerveteri (1965), 29–30, Taf. 20, 1; Sprenger, M. /Bartoloni, G. /Hirmer, M., Die Etrusker, Kunst und Geschichte Taf. 225 unten; Boosen 20–21 IIIa 2, Taf. 4, 5.
LIMC/ThesCRA Place/Museum: Italy, Cerveteri, Necropoli della Banditaccia, Inventory: Tomba dei Rilievi (1. Inv.)
ID: 4d713b05fb4f4779b02e65063e7eeb66
Name: 48776X106.jpg
Size: 77.7 kb
Dimensions: 600x509 px
Resolution: 72x72 ppi
Title: MID7558, SMID48776
Description: relief, stuccowork, Etruria – Material: stucco – Dating: -310/-290 – Discovery: Cerveteri, Caerenecropolis of the Banditaccia – Description: Das gesamte Grab ist mit Stuckreliefs verziert. An der Rückwand unter der Hauptnische findet sich die Darstellung eines Meerwesens (Charun-Skylla), der Oberkörper frontal, der Kopf nach rechts gewandt. Die nach aussen zu einer Spirale gedrehten Schlangenbeine enden in Schlangenköpfen, die heute allerdings abgefallen sind. In der rechten Hand hält er ein Ruder, die linke umfasst eine Schlange, von der nur noch die Ansatzspuren vorhanden sind. Neben dem Meerwesen kauert Kerberos mit zwei nach vorn und einem nach hinten gerichteten Kopf. Weitere Stuckreliefs sitzen an den vier Pfeilern in der Mitte der Kammer, darauf sind etliche Waffen, Schilde, Helme sowie weitere Utensilien dargestellt. An den Pfeilern links und rechts der Mittelnischen sind zwei Büsten angebracht. Die rechte zeigt Hades mit Wolfskappe, die am Hals verknotet ist, die linke Phersipnei (die etruskische Variante der Persephone). Am rechten Pilaster an der Vorderseite sitzt eine Axt über einem tragbaren offenen Halter, in dem zwei Messer stecken. Der Typus der Axt (sacena) mit gebogenem Stil, an dem ein relativ schmales Blatt an einer Tülle befestigt ist, kommt als Realfund z.B. in Gräbern des 7. Jhs. in Casale Marittima vor. Die beigegebenen Exemplare sind allerdings nicht verwendbar, es handelt sich also um Symbolwaffen, möglicherweise mit Insigniencharakter. Die ausserdem abgebildeten Gegenstände (obeloi und Schöpflöffel) weisen auf eine Verwendung des ganzen Ensembles in der Fleischzubereitung hin, sind allerdings keine Indizien für die kultische Nutzung der Objekte. Auf dem anderen Pfeiler ist ein langes Hiebmesser (Typ machaira) dargestellt zusammen mit einer weiteren Axt (Typ dolabra). Die anderen Seiten der Pfeiler tragen verschiedene Gebrauchs- und Prestigegegenstände (Messer, obeloi, Kannen, Schalen, Seil, Gürtel, sella curulis, Schreibtafel, Zange, Dreifusskessel, lituus, Kissen, Rucksack) und einige Tiere (Hund, Gans, Ente, Eidechse, Schildkröte, Marder). An der Eingangswand ist eine skaph
Keywords: MID7558, SMID48776, Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg etr 4, relief, stuccowork, Etruria, stucco, -310/-290, Cerveteri, Caerenecropolis of the Banditaccia, Italy, Necropoli della Banditaccia, Tomba dei Rilievi, wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Calu, Kerberos, Persephone/Phersipnai, Skylla I
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID7558, SMID48776 – LIMC/ThesCRA: Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg, etr. 4
LIMC/ThesCRA Keywords: wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Hades/Aita, Calu, Kerberos, Persephone/Phersipnai, Skylla I
LIMC/ThesCRA Bibliography: Johansen, K. F., Sacena. Zur Geschichte der römischen Opfergeräte, in: Acta Archäologica 3 (1932), 124/5, Abb. 8–10; Blanck, H. /Proietti, G., La Tomba dei Rilievi di Cerveteri, Roma 1986, 17, 33, Fig. 6, 21, Taf. I-V, IX – XIII, XVI-XVII, XIX d, XXII; De Ruyt, F., Charun: démon étrusque de la mort (1934), 134–5, Abb. 57; Giglioli, G., l’arte etrusca (1935) Taf. 341, 2; Cristofani, M., La Tomba delle Iscrizione a Cerveteri (1965), 29–30, Taf. 20, 1; Sprenger, M. /Bartoloni, G. /Hirmer, M., Die Etrusker, Kunst und Geschichte Taf. 225 unten; Boosen 20–21 IIIa 2, Taf. 4, 5.
LIMC/ThesCRA Place/Museum: Italy, Cerveteri, Necropoli della Banditaccia, Inventory: Tomba dei Rilievi (1. Inv.)
ID: ee4aa58dabdd4b909de381cdaad06628
Name: 48776X107.jpg
Size: 73.15 kb
Dimensions: 600x481 px
Resolution: 72x72 ppi
Title: MID7558, SMID48776
Description: relief, stuccowork, Etruria – Material: stucco – Dating: -310/-290 – Discovery: Cerveteri, Caerenecropolis of the Banditaccia – Description: Das gesamte Grab ist mit Stuckreliefs verziert. An der Rückwand unter der Hauptnische findet sich die Darstellung eines Meerwesens (Charun-Skylla), der Oberkörper frontal, der Kopf nach rechts gewandt. Die nach aussen zu einer Spirale gedrehten Schlangenbeine enden in Schlangenköpfen, die heute allerdings abgefallen sind. In der rechten Hand hält er ein Ruder, die linke umfasst eine Schlange, von der nur noch die Ansatzspuren vorhanden sind. Neben dem Meerwesen kauert Kerberos mit zwei nach vorn und einem nach hinten gerichteten Kopf. Weitere Stuckreliefs sitzen an den vier Pfeilern in der Mitte der Kammer, darauf sind etliche Waffen, Schilde, Helme sowie weitere Utensilien dargestellt. An den Pfeilern links und rechts der Mittelnischen sind zwei Büsten angebracht. Die rechte zeigt Hades mit Wolfskappe, die am Hals verknotet ist, die linke Phersipnei (die etruskische Variante der Persephone). Am rechten Pilaster an der Vorderseite sitzt eine Axt über einem tragbaren offenen Halter, in dem zwei Messer stecken. Der Typus der Axt (sacena) mit gebogenem Stil, an dem ein relativ schmales Blatt an einer Tülle befestigt ist, kommt als Realfund z.B. in Gräbern des 7. Jhs. in Casale Marittima vor. Die beigegebenen Exemplare sind allerdings nicht verwendbar, es handelt sich also um Symbolwaffen, möglicherweise mit Insigniencharakter. Die ausserdem abgebildeten Gegenstände (obeloi und Schöpflöffel) weisen auf eine Verwendung des ganzen Ensembles in der Fleischzubereitung hin, sind allerdings keine Indizien für die kultische Nutzung der Objekte. Auf dem anderen Pfeiler ist ein langes Hiebmesser (Typ machaira) dargestellt zusammen mit einer weiteren Axt (Typ dolabra). Die anderen Seiten der Pfeiler tragen verschiedene Gebrauchs- und Prestigegegenstände (Messer, obeloi, Kannen, Schalen, Seil, Gürtel, sella curulis, Schreibtafel, Zange, Dreifusskessel, lituus, Kissen, Rucksack) und einige Tiere (Hund, Gans, Ente, Eidechse, Schildkröte, Marder). An der Eingangswand ist eine skaph
Keywords: MID7558, SMID48776, Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg etr 4, relief, stuccowork, Etruria, stucco, -310/-290, Cerveteri, Caerenecropolis of the Banditaccia, Italy, Necropoli della Banditaccia, Tomba dei Rilievi, wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Calu, Kerberos, Persephone/Phersipnai, Skylla I
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID7558, SMID48776 – LIMC/ThesCRA: Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg, etr. 4
LIMC/ThesCRA Keywords: wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Hades/Aita, Calu, Kerberos, Persephone/Phersipnai, Skylla I
LIMC/ThesCRA Bibliography: Johansen, K. F., Sacena. Zur Geschichte der römischen Opfergeräte, in: Acta Archäologica 3 (1932), 124/5, Abb. 8–10; Blanck, H. /Proietti, G., La Tomba dei Rilievi di Cerveteri, Roma 1986, 17, 33, Fig. 6, 21, Taf. I-V, IX – XIII, XVI-XVII, XIX d, XXII; De Ruyt, F., Charun: démon étrusque de la mort (1934), 134–5, Abb. 57; Giglioli, G., l’arte etrusca (1935) Taf. 341, 2; Cristofani, M., La Tomba delle Iscrizione a Cerveteri (1965), 29–30, Taf. 20, 1; Sprenger, M. /Bartoloni, G. /Hirmer, M., Die Etrusker, Kunst und Geschichte Taf. 225 unten; Boosen 20–21 IIIa 2, Taf. 4, 5.
LIMC/ThesCRA Place/Museum: Italy, Cerveteri, Necropoli della Banditaccia, Inventory: Tomba dei Rilievi (1. Inv.)
ID: 7d7736a6563e4d1784e0d6204a521afd
Name: 48776X299.jpg
Size: 120.57 kb
Dimensions: 600x553 px
Resolution: 72x72 ppi
Title: MID7558, SMID48776
Description: relief, stuccowork, Etruria – Material: stucco – Dating: -310/-290 – Discovery: Cerveteri, Caerenecropolis of the Banditaccia – Description: Das gesamte Grab ist mit Stuckreliefs verziert. An der Rückwand unter der Hauptnische findet sich die Darstellung eines Meerwesens (Charun-Skylla), der Oberkörper frontal, der Kopf nach rechts gewandt. Die nach aussen zu einer Spirale gedrehten Schlangenbeine enden in Schlangenköpfen, die heute allerdings abgefallen sind. In der rechten Hand hält er ein Ruder, die linke umfasst eine Schlange, von der nur noch die Ansatzspuren vorhanden sind. Neben dem Meerwesen kauert Kerberos mit zwei nach vorn und einem nach hinten gerichteten Kopf. Weitere Stuckreliefs sitzen an den vier Pfeilern in der Mitte der Kammer, darauf sind etliche Waffen, Schilde, Helme sowie weitere Utensilien dargestellt. An den Pfeilern links und rechts der Mittelnischen sind zwei Büsten angebracht. Die rechte zeigt Hades mit Wolfskappe, die am Hals verknotet ist, die linke Phersipnei (die etruskische Variante der Persephone). Am rechten Pilaster an der Vorderseite sitzt eine Axt über einem tragbaren offenen Halter, in dem zwei Messer stecken. Der Typus der Axt (sacena) mit gebogenem Stil, an dem ein relativ schmales Blatt an einer Tülle befestigt ist, kommt als Realfund z.B. in Gräbern des 7. Jhs. in Casale Marittima vor. Die beigegebenen Exemplare sind allerdings nicht verwendbar, es handelt sich also um Symbolwaffen, möglicherweise mit Insigniencharakter. Die ausserdem abgebildeten Gegenstände (obeloi und Schöpflöffel) weisen auf eine Verwendung des ganzen Ensembles in der Fleischzubereitung hin, sind allerdings keine Indizien für die kultische Nutzung der Objekte. Auf dem anderen Pfeiler ist ein langes Hiebmesser (Typ machaira) dargestellt zusammen mit einer weiteren Axt (Typ dolabra). Die anderen Seiten der Pfeiler tragen verschiedene Gebrauchs- und Prestigegegenstände (Messer, obeloi, Kannen, Schalen, Seil, Gürtel, sella curulis, Schreibtafel, Zange, Dreifusskessel, lituus, Kissen, Rucksack) und einige Tiere (Hund, Gans, Ente, Eidechse, Schildkröte, Marder). An der Eingangswand ist eine skaph
Keywords: MID7558, SMID48776, Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg etr 4, relief, stuccowork, Etruria, stucco, -310/-290, Cerveteri, Caerenecropolis of the Banditaccia, Italy, Necropoli della Banditaccia, Tomba dei Rilievi, wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Calu, Kerberos, Persephone/Phersipnai, Skylla I
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID7558, SMID48776 – LIMC/ThesCRA: Charon I/Charu(n) 112, Hades/Aita, Calu 12, Kerberos 48, Skylla I (S) 77, V. 2.b. Kultinstrumente 1051, VIII. 4.i. Krieg, etr. 4
LIMC/ThesCRA Keywords: wreath, crown, stephane, corona, snake, rudder, oar, sword, oinochoe, jug, helmet, turtle, tortoise, lizard, knife, shield, tripod, goose, skin, purse, fan, kline, bed, axe, hatchet, pelekys, sacena, securis, dog, greaves, writing-tablet, ladle, spit, obelos, cauldron, dinos, lebes, staff, skaphe (big basin), rope, alabastron, lituus (curved staff of the augurs), horn, horns, belt, stemma, infula, band of wool, knife case, bull head, cushion, duck, machaira, sella curulis, kylix, bust, tongs, Charon I/Charu(n), Hades/Aita, Calu, Kerberos, Persephone/Phersipnai, Skylla I
LIMC/ThesCRA Bibliography: Johansen, K. F., Sacena. Zur Geschichte der römischen Opfergeräte, in: Acta Archäologica 3 (1932), 124/5, Abb. 8–10; Blanck, H. /Proietti, G., La Tomba dei Rilievi di Cerveteri, Roma 1986, 17, 33, Fig. 6, 21, Taf. I-V, IX – XIII, XVI-XVII, XIX d, XXII; De Ruyt, F., Charun: démon étrusque de la mort (1934), 134–5, Abb. 57; Giglioli, G., l’arte etrusca (1935) Taf. 341, 2; Cristofani, M., La Tomba delle Iscrizione a Cerveteri (1965), 29–30, Taf. 20, 1; Sprenger, M. /Bartoloni, G. /Hirmer, M., Die Etrusker, Kunst und Geschichte Taf. 225 unten; Boosen 20–21 IIIa 2, Taf. 4, 5.
LIMC/ThesCRA Place/Museum: Italy, Cerveteri, Necropoli della Banditaccia, Inventory: Tomba dei Rilievi (1. Inv.)
ID: 94501d6fa53940ecbc06b902823ddd7b
Name: 6721X006.jpg
Size: 64.11 kb
Dimensions: 600x426 px
Resolution: 72x72 ppi
Title: MID6585, SMID6721
Description: crater: volute crater, vase painting, red figured, Apulia – Material: terracotta – Artist: Darius Painter – Dating: -340/-330 – Discovery: Canosa di Puglia – Description: A-Seite: Patrokloskrater: Am Scheiterhaufen des Patroklos werden die trojanischen Gefangenen geopfert. Direkt am Scheiterhaufen giesst Agamemnon aus einer Phiale Wein auf den Boden. Neben ihm steht eine grosse Kanne. Im untersten Bildfeld ist das Viergespann des Achill mit dem Leichnam Hektors drauf zu sehen. Direkt vor den Pferden giesst eine Frau aus einer Hydria Wasser in ein auf einer zweistufigen Basis stehendes Becken, das einem Podanipter ähnelt (Füsse etwas höher).
Keywords: MID6585, SMID6721, Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer gr 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277, crater: volute crater, vase painting, red figured, Apulia, terracotta, Darius Painter, -340/-330, Canosa di Puglia, Italy, Napoli, Museo Archeologico Nazionale, 81393, H 3254, phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6585, SMID6721 – LIMC/ThesCRA: Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer, gr. 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgo, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
LIMC/ThesCRA Bibliography: RVAp II 495, 39; RVAp Suppl. 1, 140; Spinazzola, Le arti decorative in Pompei e nel Museo Nazionale di Napoli (1928) pl. 201; Schmidt, M., Der Dareios-Maler und sein Umkreis (1960), v. a. 32–4, pl. 10–12; Schauenburg, K., BonnJbb 161, 1961, 223 n. 2; Borda, M., Ceramiche Apule (1966) fig. 38 pl. 15; Moret, Ilioupersis 214–215 no. 144; Diehl 171; Trendall, RFSIS Abb. 204.
LIMC/ThesCRA Place/Museum: Italy, Napoli, Museo Archeologico Nazionale, Inventory: 81393 (1. Inv.), H 3254 (2. Inv.)
ID: e36c91e811ca43a888761046503c747b
Name: 6721X007.jpg
Size: 65.53 kb
Dimensions: 600x442 px
Resolution: 72x72 ppi
Title: MID6585, SMID6721
Description: crater: volute crater, vase painting, red figured, Apulia – Material: terracotta – Artist: Darius Painter – Dating: -340/-330 – Discovery: Canosa di Puglia – Description: A-Seite: Patrokloskrater: Am Scheiterhaufen des Patroklos werden die trojanischen Gefangenen geopfert. Direkt am Scheiterhaufen giesst Agamemnon aus einer Phiale Wein auf den Boden. Neben ihm steht eine grosse Kanne. Im untersten Bildfeld ist das Viergespann des Achill mit dem Leichnam Hektors drauf zu sehen. Direkt vor den Pferden giesst eine Frau aus einer Hydria Wasser in ein auf einer zweistufigen Basis stehendes Becken, das einem Podanipter ähnelt (Füsse etwas höher).
Keywords: MID6585, SMID6721, Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer gr 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277, crater: volute crater, vase painting, red figured, Apulia, terracotta, Darius Painter, -340/-330, Canosa di Puglia, Italy, Napoli, Museo Archeologico Nazionale, 81393, H 3254, phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6585, SMID6721 – LIMC/ThesCRA: Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer, gr. 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgo, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
LIMC/ThesCRA Bibliography: RVAp II 495, 39; RVAp Suppl. 1, 140; Spinazzola, Le arti decorative in Pompei e nel Museo Nazionale di Napoli (1928) pl. 201; Schmidt, M., Der Dareios-Maler und sein Umkreis (1960), v. a. 32–4, pl. 10–12; Schauenburg, K., BonnJbb 161, 1961, 223 n. 2; Borda, M., Ceramiche Apule (1966) fig. 38 pl. 15; Moret, Ilioupersis 214–215 no. 144; Diehl 171; Trendall, RFSIS Abb. 204.
LIMC/ThesCRA Place/Museum: Italy, Napoli, Museo Archeologico Nazionale, Inventory: 81393 (1. Inv.), H 3254 (2. Inv.)
ID: 964b46284e56430da771ff793b30af98
Name: 6721X009.jpg
Size: 58.2 kb
Dimensions: 403x600 px
Resolution: 72x72 ppi
Title: MID6585, SMID6721
Description: crater: volute crater, vase painting, red figured, Apulia – Material: terracotta – Artist: Darius Painter – Dating: -340/-330 – Discovery: Canosa di Puglia – Description: A-Seite: Patrokloskrater: Am Scheiterhaufen des Patroklos werden die trojanischen Gefangenen geopfert. Direkt am Scheiterhaufen giesst Agamemnon aus einer Phiale Wein auf den Boden. Neben ihm steht eine grosse Kanne. Im untersten Bildfeld ist das Viergespann des Achill mit dem Leichnam Hektors drauf zu sehen. Direkt vor den Pferden giesst eine Frau aus einer Hydria Wasser in ein auf einer zweistufigen Basis stehendes Becken, das einem Podanipter ähnelt (Füsse etwas höher).
Keywords: MID6585, SMID6721, Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer gr 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277, crater: volute crater, vase painting, red figured, Apulia, terracotta, Darius Painter, -340/-330, Canosa di Puglia, Italy, Napoli, Museo Archeologico Nazionale, 81393, H 3254, phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6585, SMID6721 – LIMC/ThesCRA: Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer, gr. 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgo, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
LIMC/ThesCRA Bibliography: RVAp II 495, 39; RVAp Suppl. 1, 140; Spinazzola, Le arti decorative in Pompei e nel Museo Nazionale di Napoli (1928) pl. 201; Schmidt, M., Der Dareios-Maler und sein Umkreis (1960), v. a. 32–4, pl. 10–12; Schauenburg, K., BonnJbb 161, 1961, 223 n. 2; Borda, M., Ceramiche Apule (1966) fig. 38 pl. 15; Moret, Ilioupersis 214–215 no. 144; Diehl 171; Trendall, RFSIS Abb. 204.
LIMC/ThesCRA Place/Museum: Italy, Napoli, Museo Archeologico Nazionale, Inventory: 81393 (1. Inv.), H 3254 (2. Inv.)
ID: 403ef18e51744a498ea5758ee302ba4e
Name: 6721X010.jpg
Size: 69.3 kb
Dimensions: 600x427 px
Resolution: 72x72 ppi
Title: MID6585, SMID6721
Description: crater: volute crater, vase painting, red figured, Apulia – Material: terracotta – Artist: Darius Painter – Dating: -340/-330 – Discovery: Canosa di Puglia – Description: A-Seite: Patrokloskrater: Am Scheiterhaufen des Patroklos werden die trojanischen Gefangenen geopfert. Direkt am Scheiterhaufen giesst Agamemnon aus einer Phiale Wein auf den Boden. Neben ihm steht eine grosse Kanne. Im untersten Bildfeld ist das Viergespann des Achill mit dem Leichnam Hektors drauf zu sehen. Direkt vor den Pferden giesst eine Frau aus einer Hydria Wasser in ein auf einer zweistufigen Basis stehendes Becken, das einem Podanipter ähnelt (Füsse etwas höher).
Keywords: MID6585, SMID6721, Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer gr 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277, crater: volute crater, vase painting, red figured, Apulia, terracotta, Darius Painter, -340/-330, Canosa di Puglia, Italy, Napoli, Museo Archeologico Nazionale, 81393, H 3254, phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6585, SMID6721 – LIMC/ThesCRA: Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer, gr. 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgo, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
LIMC/ThesCRA Bibliography: RVAp II 495, 39; RVAp Suppl. 1, 140; Spinazzola, Le arti decorative in Pompei e nel Museo Nazionale di Napoli (1928) pl. 201; Schmidt, M., Der Dareios-Maler und sein Umkreis (1960), v. a. 32–4, pl. 10–12; Schauenburg, K., BonnJbb 161, 1961, 223 n. 2; Borda, M., Ceramiche Apule (1966) fig. 38 pl. 15; Moret, Ilioupersis 214–215 no. 144; Diehl 171; Trendall, RFSIS Abb. 204.
LIMC/ThesCRA Place/Museum: Italy, Napoli, Museo Archeologico Nazionale, Inventory: 81393 (1. Inv.), H 3254 (2. Inv.)
ID: 357072fa4d024d649c7ebc4cdc801ccb
Name: 6721X015.jpg
Size: 74.23 kb
Dimensions: 528x600 px
Resolution: 72x72 ppi
Title: MID6585, SMID6721
Description: crater: volute crater, vase painting, red figured, Apulia – Material: terracotta – Artist: Darius Painter – Dating: -340/-330 – Discovery: Canosa di Puglia – Description: A-Seite: Patrokloskrater: Am Scheiterhaufen des Patroklos werden die trojanischen Gefangenen geopfert. Direkt am Scheiterhaufen giesst Agamemnon aus einer Phiale Wein auf den Boden. Neben ihm steht eine grosse Kanne. Im untersten Bildfeld ist das Viergespann des Achill mit dem Leichnam Hektors drauf zu sehen. Direkt vor den Pferden giesst eine Frau aus einer Hydria Wasser in ein auf einer zweistufigen Basis stehendes Becken, das einem Podanipter ähnelt (Füsse etwas höher).
Keywords: MID6585, SMID6721, Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer gr 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277, crater: volute crater, vase painting, red figured, Apulia, terracotta, Darius Painter, -340/-330, Canosa di Puglia, Italy, Napoli, Museo Archeologico Nazionale, 81393, H 3254, phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6585, SMID6721 – LIMC/ThesCRA: Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer, gr. 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgo, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
LIMC/ThesCRA Bibliography: RVAp II 495, 39; RVAp Suppl. 1, 140; Spinazzola, Le arti decorative in Pompei e nel Museo Nazionale di Napoli (1928) pl. 201; Schmidt, M., Der Dareios-Maler und sein Umkreis (1960), v. a. 32–4, pl. 10–12; Schauenburg, K., BonnJbb 161, 1961, 223 n. 2; Borda, M., Ceramiche Apule (1966) fig. 38 pl. 15; Moret, Ilioupersis 214–215 no. 144; Diehl 171; Trendall, RFSIS Abb. 204.
LIMC/ThesCRA Place/Museum: Italy, Napoli, Museo Archeologico Nazionale, Inventory: 81393 (1. Inv.), H 3254 (2. Inv.)
ID: ff4e77ffc2424cc798a480aed30e2705
Name: 6721X101.jpg
Size: 47.3 kb
Dimensions: 316x600 px
Resolution: 72x72 ppi
Title: MID6585, SMID6721
Description: crater: volute crater, vase painting, red figured, Apulia – Material: terracotta – Artist: Darius Painter – Dating: -340/-330 – Discovery: Canosa di Puglia – Description: A-Seite: Patrokloskrater: Am Scheiterhaufen des Patroklos werden die trojanischen Gefangenen geopfert. Direkt am Scheiterhaufen giesst Agamemnon aus einer Phiale Wein auf den Boden. Neben ihm steht eine grosse Kanne. Im untersten Bildfeld ist das Viergespann des Achill mit dem Leichnam Hektors drauf zu sehen. Direkt vor den Pferden giesst eine Frau aus einer Hydria Wasser in ein auf einer zweistufigen Basis stehendes Becken, das einem Podanipter ähnelt (Füsse etwas höher).
Keywords: MID6585, SMID6721, Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer gr 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277, crater: volute crater, vase painting, red figured, Apulia, terracotta, Darius Painter, -340/-330, Canosa di Puglia, Italy, Napoli, Museo Archeologico Nazionale, 81393, H 3254, phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6585, SMID6721 – LIMC/ThesCRA: Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer, gr. 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgo, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
LIMC/ThesCRA Bibliography: RVAp II 495, 39; RVAp Suppl. 1, 140; Spinazzola, Le arti decorative in Pompei e nel Museo Nazionale di Napoli (1928) pl. 201; Schmidt, M., Der Dareios-Maler und sein Umkreis (1960), v. a. 32–4, pl. 10–12; Schauenburg, K., BonnJbb 161, 1961, 223 n. 2; Borda, M., Ceramiche Apule (1966) fig. 38 pl. 15; Moret, Ilioupersis 214–215 no. 144; Diehl 171; Trendall, RFSIS Abb. 204.
LIMC/ThesCRA Place/Museum: Italy, Napoli, Museo Archeologico Nazionale, Inventory: 81393 (1. Inv.), H 3254 (2. Inv.)
ID: b28f9dbcd7524842b2eaf750e8753f5e
Name: 6721X102.jpg
Size: 84.53 kb
Dimensions: 600x553 px
Resolution: 72x72 ppi
Title: MID6585, SMID6721
Description: crater: volute crater, vase painting, red figured, Apulia – Material: terracotta – Artist: Darius Painter – Dating: -340/-330 – Discovery: Canosa di Puglia – Description: A-Seite: Patrokloskrater: Am Scheiterhaufen des Patroklos werden die trojanischen Gefangenen geopfert. Direkt am Scheiterhaufen giesst Agamemnon aus einer Phiale Wein auf den Boden. Neben ihm steht eine grosse Kanne. Im untersten Bildfeld ist das Viergespann des Achill mit dem Leichnam Hektors drauf zu sehen. Direkt vor den Pferden giesst eine Frau aus einer Hydria Wasser in ein auf einer zweistufigen Basis stehendes Becken, das einem Podanipter ähnelt (Füsse etwas höher).
Keywords: MID6585, SMID6721, Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer gr 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277, crater: volute crater, vase painting, red figured, Apulia, terracotta, Darius Painter, -340/-330, Canosa di Puglia, Italy, Napoli, Museo Archeologico Nazionale, 81393, H 3254, phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6585, SMID6721 – LIMC/ThesCRA: Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer, gr. 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgo, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
LIMC/ThesCRA Bibliography: RVAp II 495, 39; RVAp Suppl. 1, 140; Spinazzola, Le arti decorative in Pompei e nel Museo Nazionale di Napoli (1928) pl. 201; Schmidt, M., Der Dareios-Maler und sein Umkreis (1960), v. a. 32–4, pl. 10–12; Schauenburg, K., BonnJbb 161, 1961, 223 n. 2; Borda, M., Ceramiche Apule (1966) fig. 38 pl. 15; Moret, Ilioupersis 214–215 no. 144; Diehl 171; Trendall, RFSIS Abb. 204.
LIMC/ThesCRA Place/Museum: Italy, Napoli, Museo Archeologico Nazionale, Inventory: 81393 (1. Inv.), H 3254 (2. Inv.)
ID: edcbd4274db04877b56e147c7f231dab
Name: 6721X103.jpg
Size: 109.29 kb
Dimensions: 600x594 px
Resolution: 72x72 ppi
Title: MID6585, SMID6721
Description: crater: volute crater, vase painting, red figured, Apulia – Material: terracotta – Artist: Darius Painter – Dating: -340/-330 – Discovery: Canosa di Puglia – Description: A-Seite: Patrokloskrater: Am Scheiterhaufen des Patroklos werden die trojanischen Gefangenen geopfert. Direkt am Scheiterhaufen giesst Agamemnon aus einer Phiale Wein auf den Boden. Neben ihm steht eine grosse Kanne. Im untersten Bildfeld ist das Viergespann des Achill mit dem Leichnam Hektors drauf zu sehen. Direkt vor den Pferden giesst eine Frau aus einer Hydria Wasser in ein auf einer zweistufigen Basis stehendes Becken, das einem Podanipter ähnelt (Füsse etwas höher).
Keywords: MID6585, SMID6721, Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer gr 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277, crater: volute crater, vase painting, red figured, Apulia, terracotta, Darius Painter, -340/-330, Canosa di Puglia, Italy, Napoli, Museo Archeologico Nazionale, 81393, H 3254, phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6585, SMID6721 – LIMC/ThesCRA: Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer, gr. 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgo, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
LIMC/ThesCRA Bibliography: RVAp II 495, 39; RVAp Suppl. 1, 140; Spinazzola, Le arti decorative in Pompei e nel Museo Nazionale di Napoli (1928) pl. 201; Schmidt, M., Der Dareios-Maler und sein Umkreis (1960), v. a. 32–4, pl. 10–12; Schauenburg, K., BonnJbb 161, 1961, 223 n. 2; Borda, M., Ceramiche Apule (1966) fig. 38 pl. 15; Moret, Ilioupersis 214–215 no. 144; Diehl 171; Trendall, RFSIS Abb. 204.
LIMC/ThesCRA Place/Museum: Italy, Napoli, Museo Archeologico Nazionale, Inventory: 81393 (1. Inv.), H 3254 (2. Inv.)
ID: d7c8928c068c49f99ba6ef15e8ec72d4
Name: 6721X104.jpg
Size: 74.86 kb
Dimensions: 600x422 px
Resolution: 72x72 ppi
Title: MID6585, SMID6721
Description: crater: volute crater, vase painting, red figured, Apulia – Material: terracotta – Artist: Darius Painter – Dating: -340/-330 – Discovery: Canosa di Puglia – Description: A-Seite: Patrokloskrater: Am Scheiterhaufen des Patroklos werden die trojanischen Gefangenen geopfert. Direkt am Scheiterhaufen giesst Agamemnon aus einer Phiale Wein auf den Boden. Neben ihm steht eine grosse Kanne. Im untersten Bildfeld ist das Viergespann des Achill mit dem Leichnam Hektors drauf zu sehen. Direkt vor den Pferden giesst eine Frau aus einer Hydria Wasser in ein auf einer zweistufigen Basis stehendes Becken, das einem Podanipter ähnelt (Füsse etwas höher).
Keywords: MID6585, SMID6721, Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer gr 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277, crater: volute crater, vase painting, red figured, Apulia, terracotta, Darius Painter, -340/-330, Canosa di Puglia, Italy, Napoli, Museo Archeologico Nazionale, 81393, H 3254, phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6585, SMID6721 – LIMC/ThesCRA: Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer, gr. 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgo, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
LIMC/ThesCRA Bibliography: RVAp II 495, 39; RVAp Suppl. 1, 140; Spinazzola, Le arti decorative in Pompei e nel Museo Nazionale di Napoli (1928) pl. 201; Schmidt, M., Der Dareios-Maler und sein Umkreis (1960), v. a. 32–4, pl. 10–12; Schauenburg, K., BonnJbb 161, 1961, 223 n. 2; Borda, M., Ceramiche Apule (1966) fig. 38 pl. 15; Moret, Ilioupersis 214–215 no. 144; Diehl 171; Trendall, RFSIS Abb. 204.
LIMC/ThesCRA Place/Museum: Italy, Napoli, Museo Archeologico Nazionale, Inventory: 81393 (1. Inv.), H 3254 (2. Inv.)
ID: e154fd3e245a4c1eb5f28e3adc28144a
Name: 6721X105.jpg
Size: 73.99 kb
Dimensions: 600x426 px
Resolution: 72x72 ppi
Title: MID6585, SMID6721
Description: crater: volute crater, vase painting, red figured, Apulia – Material: terracotta – Artist: Darius Painter – Dating: -340/-330 – Discovery: Canosa di Puglia – Description: A-Seite: Patrokloskrater: Am Scheiterhaufen des Patroklos werden die trojanischen Gefangenen geopfert. Direkt am Scheiterhaufen giesst Agamemnon aus einer Phiale Wein auf den Boden. Neben ihm steht eine grosse Kanne. Im untersten Bildfeld ist das Viergespann des Achill mit dem Leichnam Hektors drauf zu sehen. Direkt vor den Pferden giesst eine Frau aus einer Hydria Wasser in ein auf einer zweistufigen Basis stehendes Becken, das einem Podanipter ähnelt (Füsse etwas höher).
Keywords: MID6585, SMID6721, Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer gr 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277, crater: volute crater, vase painting, red figured, Apulia, terracotta, Darius Painter, -340/-330, Canosa di Puglia, Italy, Napoli, Museo Archeologico Nazionale, 81393, H 3254, phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6585, SMID6721 – LIMC/ThesCRA: Achilleus 487, Achilleus 603, Agamemnon 58, Antilochos I 17, Athena 465, Atlas 12ad, Automedon 23, Briseis 20, Erinys 104, Gorgo, Gorgones 185, Hektor 72, Iphis 3, Nestor (vol. VII) 26, Oidipous 67, Phoinix II (S) 12, I. 2.a. Opfer, gr. 590, V. 2.b. Kultinstrumente 96, V. 2.b. Kultinstrumente 277
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, sword, oinochoe, jug, helmet, shield, tree, spear, cup, libation, kline, bed, sacrifice, chariot, corselet, hydria, basin, greaves, stick, cane, quadriga, polos, kalathos, wheel, wine, pyre, water, weapon, tent, horse, basin with low foot: podanipter, warrior, soldier, old man, sphinx, cushion, funerary monument, corpse, Achilleus, Agamemnon, Antilochos I, Athena, Automedon, Briseis, Erinys, Gorgo, Gorgones, Hektor, Hermes, Iphis, Nestor, Oidipous, Pan, Patroklos, Phoinix II, Thetis
LIMC/ThesCRA Bibliography: RVAp II 495, 39; RVAp Suppl. 1, 140; Spinazzola, Le arti decorative in Pompei e nel Museo Nazionale di Napoli (1928) pl. 201; Schmidt, M., Der Dareios-Maler und sein Umkreis (1960), v. a. 32–4, pl. 10–12; Schauenburg, K., BonnJbb 161, 1961, 223 n. 2; Borda, M., Ceramiche Apule (1966) fig. 38 pl. 15; Moret, Ilioupersis 214–215 no. 144; Diehl 171; Trendall, RFSIS Abb. 204.
LIMC/ThesCRA Place/Museum: Italy, Napoli, Museo Archeologico Nazionale, Inventory: 81393 (1. Inv.), H 3254 (2. Inv.)