ID: a9d2d628f2454b1aa47109218c465771
Name: 6943X001.jpg
Size: 81.35 kb
Dimensions: 600x391 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: a3e129fd7a614eb7aac23da3557b2bcc
Name: 6943X002.jpg
Size: 102.9 kb
Dimensions: 488x600 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: 6ae2b2d9d7774e45852f8e6a3b2f6032
Name: 6943X003.jpg
Size: 104.75 kb
Dimensions: 600x453 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: fe062daae73e48f6b7aadfca2f900af9
Name: 6943X004.jpg
Size: 93.52 kb
Dimensions: 600x445 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: 232b0175452b48589bd057dcac6521fc
Name: 6943X005.jpg
Size: 97.03 kb
Dimensions: 600x442 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: a8005b2040244352a873089ea57b0efb
Name: 6943X007.jpg
Size: 87.19 kb
Dimensions: 600x433 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: 8cf48040c6154750b914ca04d44b09bb
Name: 6943X101.jpg
Size: 89.92 kb
Dimensions: 600x445 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: 13e0023ebb1e4190b1532d4bef8383bc
Name: 6943X102.jpg
Size: 87.55 kb
Dimensions: 600x445 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: 7d090f2fc27844f6b00f2edb6b35298f
Name: 6943X104.jpg
Size: 65.65 kb
Dimensions: 600x392 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: 9432b45862a54c20a718baad486d8013
Name: 6943X106.jpg
Size: 99.02 kb
Dimensions: 600x442 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: 1ccefd8da5ba453caf29dedf11a9dec6
Name: 6943X107.jpg
Size: 86.3 kb
Dimensions: 600x445 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: 32712155742b432e9beb912c4c8cf3bd
Name: 6943X108.jpg
Size: 93.45 kb
Dimensions: 600x393 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: 2e4dd74beaae463aaeecd4372eac9b7b
Name: 6943X205.jpg
Size: 97.67 kb
Dimensions: 600x386 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: a7e57f25d28446db8019760d007ebaed
Name: 6943X206.jpg
Size: 101.32 kb
Dimensions: 600x391 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: ed97c5352e184fb7aeab1a46009619f3
Name: 6943X209.jpg
Size: 102.19 kb
Dimensions: 600x411 px
Resolution: 72x72 ppi

Title: MID6800, SMID6943
Description: mosaic, mosaic, polychrome, Africa – Material: opus tessellatum – Dating: 150/200 – Discovery: Djemila, Cuicul, Curculum – Description: Mosaik mit verschiedenen Szenen aus dem Leben des Dionysos, darunter auch eine Art mystische Initiation. Mittelszene: Lykourgos (myth. König von Thrakien) und Ambrosia (eine Amme des Dionysos). Aussen: 1. Dionysos bei den Nymphen in Nysa (Amme, Nymphe, Satyr mit Pedum und Trinkgefäss). 2. Tigerreitender Dionysosknabe mit Thyrsos und Nebris. 3. Opferszene: zwei römische Bürger, davon einer in Tunika, bringen ein Opfer an einen rechteckigen Blockaltar (zweistufige Krepis, patera (?) auf Altarkörper, Holzstoss und Feuer auf Altar; daran gelehnt eine Fackel (? nicht entflammt), dahinter ein Baum, von rechts ein einen Bock heranziehender Satyr. 4. Liknonszene: Frau am Liknon enthüllt Phallos, erschrockene Adressatin in Abwehrhaltung, sitzende mit tabellae/Trinkhorn. In den Ecken Viktorien. – Dimensions: L 5,35 m; B 5,25 m
Keywords: MIte>IIte>D6800, SMIte>IIte>D6943, AgnoIte>IIte>a 5, DIte>IIte>onysos/Bacchus 136, DIte>IIte>onysos/Bacchus 174, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 8, DIte>IIte>onysos/Bacchus (Ite>IIte>n per. occ.) (vol. Ite>IIte>V) 21, Ite>IIte>no 3, Lykourgos Ite>IIte> 36, NymphaIte>IIte> (S) 83, Ite>IIte>Ite>IIte>. 3.c. Ite>IIte>nIte>IIte>tIte>IIte>atIte>IIte>on 75, V. 2.b. KultIte>IIte>nstrumente 858b, mosaIte>IIte>c, polychrome, AfrIte>IIte>ca, opus tessellatum, 150/200, DjemIte>IIte>la, CuIte>IIte>cul, Curculum, AlgerIte>IIte>a, DjemIte>IIte>la (CuIte>IIte>cul), Musée ArchéologIte>IIte>que, unknown, lagobolon, pedum, thyrsos, fIte>IIte>re (on altar), tree, wood-pIte>IIte>le, sacrIte>IIte>fIte>IIte>ce, mysterIte>IIte>es, lIte>IIte>knon, vannus, wIte>IIte>nnowIte>IIte>ng-fan, keras, drIte>IIte>nkIte>IIte>ng horn, nebrIte>IIte>s, hIte>IIte>de of deer, phallos, altar: monolIte>IIte>thIte>IIte>c block, AgnoIte>IIte>a, DIte>IIte>onysos/Bacchus, Ite>IIte>no, Lykourgos Ite>IIte>, VIte>IIte>ctorIte>IIte>a, Satyros, NymphaIte>IIte>
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID6800, SMID6943 – LIMC/ThesCRA: Agnoia 5, Dionysos/Bacchus 136, Dionysos/Bacchus 174, Dionysos/Bacchus (in per. occ.) (vol. IV) 8, Dionysos/Bacchus (in per. occ.) (vol. IV) 21, Ino 3, Lykourgos I 36, Nymphai (S) 83, II. 3.c. Initiation 75, V. 2.b. Kultinstrumente 858b
LIMC/ThesCRA Keywords: lagobolon, pedum, thyrsos, fire (on altar), tree, wood-pile, sacrifice, mysteries, liknon, vannus, winnowing-fan, keras, drinking horn, nebris, hide of deer, phallos, altar: monolithic block, Agnoia, Dionysos/Bacchus, Ino, Lykourgos I, Victoria, Satyros, Nymphai
LIMC/ThesCRA Bibliography: Leschi, L., MonPiot 35 (1935/36) 139–155 pl. 5–9; Lehmann, K., JRS 52, 1962, 62–68 pl. 9, 3; Bruneau, Ph. /Vatin, C., BCH 90, 1966, 409 fig. 10; Dunbabin, MosAfr 174–175 pl. 70, 178–179. Blanchard-Lemée, M. AntAJ 15, 1980, 170 fig. 1.
LIMC/ThesCRA Place/Museum: Algeria, Djemila (Cuicul), Musée Archéologique, Inventory: unknown (1. Inv.)

ID: 04cd5768f12a4a0cbe2fcbc249c09072
Name: 2031X002.jpg
Size: 69.67 kb
Dimensions: 415x600 px
Resolution: 72x72 ppi

Title: MID233, SMID2031
Description: amphora, vase painting, black figured, Attica – Material: terracotta – Artist: Lydos – Dating: -570/-550 – Discovery: (not specified) – Description: Priamos liegt rücklings auf Altar (aus Quadern in isodomer Weise errichtet, fünf Reihen erhalten). – Dimensions: Fr.
Keywords: MIte>IIte>D233, SMIte>IIte>D2031, AIte>IIte>as Ite>IIte>Ite>IIte> 50, Astyanax Ite>IIte> 8, Athena 83, Ite>IIte>lIte>IIte>oupersIte>IIte>s (S) 1, Kassandra Ite>IIte> (vol. VIte>IIte>Ite>IIte>) 57, Kyknos Ite>IIte> (vol. VIte>IIte>Ite>IIte>) 148, PrIte>IIte>amos 136, amphora, vase paIte>IIte>ntIte>IIte>ng, black fIte>IIte>gured, AttIte>IIte>ca, terracotta, Lydos, -570/-550, France, ParIte>IIte>s, Musée du Louvre, F 29, shIte>IIte>eld, PalladIte>IIte>on, spear, supplIte>IIte>ant, supplIte>IIte>catIte>IIte>on, hIte>IIte>kesIte>IIte>a, greaves, altar buIte>IIte>lt of square stones, Ite>IIte>lIte>IIte>oupersIte>IIte>s, AIte>IIte>as Ite>IIte>Ite>IIte>, Astyanax Ite>IIte>, Athena, Kassandra Ite>IIte>, Kyknos Ite>IIte>, PrIte>IIte>amos
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID233, SMID2031 – LIMC/ThesCRA: Aias II 50, Astyanax I 8, Athena 83, Ilioupersis (S) 1, Kassandra I (vol. VII) 57, Kyknos I (vol. VII) 148, Priamos 136
LIMC/ThesCRA Keywords: shield, Palladion, spear, suppliant, supplication, hikesia, greaves, altar built of square stones, Ilioupersis, Aias II, Astyanax I, Athena, Kassandra I, Kyknos I, Priamos
LIMC/ThesCRA Bibliography: ABV 109, 21; Para 44, 21; Add² 30; CVA Louvre 11 Taf. 125 (798), 1–4; Beazley, Dev² (1986) Taf. 33; Tiverios, Lydos (1976) 130 Nr. 35 Taf. 26 B, 27; Schefold, SB II Abb. 343; Shapiro, H. A., AJA 88, 1984, 527 Taf. 68, Abb. 5; Anderson, M., The Fall of Troy in Early Greek Pottery and Art (1997) 208 Abb. F. Zardini: The Myth of Herakles and Kyknos (2009) ID 108.
LIMC/ThesCRA Place/Museum: France, Paris, Musée du Louvre, Inventory: F 29 (1. Inv.)

ID: e8fabfdb34e94144993c979731ebe1db
Name: 2031X003.jpg
Size: 60.74 kb
Dimensions: 600x527 px
Resolution: 72x72 ppi

Title: MID233, SMID2031
Description: amphora, vase painting, black figured, Attica – Material: terracotta – Artist: Lydos – Dating: -570/-550 – Discovery: (not specified) – Description: Priamos liegt rücklings auf Altar (aus Quadern in isodomer Weise errichtet, fünf Reihen erhalten). – Dimensions: Fr.
Keywords: MIte>IIte>D233, SMIte>IIte>D2031, AIte>IIte>as Ite>IIte>Ite>IIte> 50, Astyanax Ite>IIte> 8, Athena 83, Ite>IIte>lIte>IIte>oupersIte>IIte>s (S) 1, Kassandra Ite>IIte> (vol. VIte>IIte>Ite>IIte>) 57, Kyknos Ite>IIte> (vol. VIte>IIte>Ite>IIte>) 148, PrIte>IIte>amos 136, amphora, vase paIte>IIte>ntIte>IIte>ng, black fIte>IIte>gured, AttIte>IIte>ca, terracotta, Lydos, -570/-550, France, ParIte>IIte>s, Musée du Louvre, F 29, shIte>IIte>eld, PalladIte>IIte>on, spear, supplIte>IIte>ant, supplIte>IIte>catIte>IIte>on, hIte>IIte>kesIte>IIte>a, greaves, altar buIte>IIte>lt of square stones, Ite>IIte>lIte>IIte>oupersIte>IIte>s, AIte>IIte>as Ite>IIte>Ite>IIte>, Astyanax Ite>IIte>, Athena, Kassandra Ite>IIte>, Kyknos Ite>IIte>, PrIte>IIte>amos
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID233, SMID2031 – LIMC/ThesCRA: Aias II 50, Astyanax I 8, Athena 83, Ilioupersis (S) 1, Kassandra I (vol. VII) 57, Kyknos I (vol. VII) 148, Priamos 136
LIMC/ThesCRA Keywords: shield, Palladion, spear, suppliant, supplication, hikesia, greaves, altar built of square stones, Ilioupersis, Aias II, Astyanax I, Athena, Kassandra I, Kyknos I, Priamos
LIMC/ThesCRA Bibliography: ABV 109, 21; Para 44, 21; Add² 30; CVA Louvre 11 Taf. 125 (798), 1–4; Beazley, Dev² (1986) Taf. 33; Tiverios, Lydos (1976) 130 Nr. 35 Taf. 26 B, 27; Schefold, SB II Abb. 343; Shapiro, H. A., AJA 88, 1984, 527 Taf. 68, Abb. 5; Anderson, M., The Fall of Troy in Early Greek Pottery and Art (1997) 208 Abb. F. Zardini: The Myth of Herakles and Kyknos (2009) ID 108.
LIMC/ThesCRA Place/Museum: France, Paris, Musée du Louvre, Inventory: F 29 (1. Inv.)

ID: 48a044abebeb453a8bb4d475bcdc5b58
Name: 2031X006.jpg
Size: 47.77 kb
Dimensions: 416x600 px
Resolution: 72x72 ppi

Title: MID233, SMID2031
Description: amphora, vase painting, black figured, Attica – Material: terracotta – Artist: Lydos – Dating: -570/-550 – Discovery: (not specified) – Description: Priamos liegt rücklings auf Altar (aus Quadern in isodomer Weise errichtet, fünf Reihen erhalten). – Dimensions: Fr.
Keywords: MIte>IIte>D233, SMIte>IIte>D2031, AIte>IIte>as Ite>IIte>Ite>IIte> 50, Astyanax Ite>IIte> 8, Athena 83, Ite>IIte>lIte>IIte>oupersIte>IIte>s (S) 1, Kassandra Ite>IIte> (vol. VIte>IIte>Ite>IIte>) 57, Kyknos Ite>IIte> (vol. VIte>IIte>Ite>IIte>) 148, PrIte>IIte>amos 136, amphora, vase paIte>IIte>ntIte>IIte>ng, black fIte>IIte>gured, AttIte>IIte>ca, terracotta, Lydos, -570/-550, France, ParIte>IIte>s, Musée du Louvre, F 29, shIte>IIte>eld, PalladIte>IIte>on, spear, supplIte>IIte>ant, supplIte>IIte>catIte>IIte>on, hIte>IIte>kesIte>IIte>a, greaves, altar buIte>IIte>lt of square stones, Ite>IIte>lIte>IIte>oupersIte>IIte>s, AIte>IIte>as Ite>IIte>Ite>IIte>, Astyanax Ite>IIte>, Athena, Kassandra Ite>IIte>, Kyknos Ite>IIte>, PrIte>IIte>amos
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID233, SMID2031 – LIMC/ThesCRA: Aias II 50, Astyanax I 8, Athena 83, Ilioupersis (S) 1, Kassandra I (vol. VII) 57, Kyknos I (vol. VII) 148, Priamos 136
LIMC/ThesCRA Keywords: shield, Palladion, spear, suppliant, supplication, hikesia, greaves, altar built of square stones, Ilioupersis, Aias II, Astyanax I, Athena, Kassandra I, Kyknos I, Priamos
LIMC/ThesCRA Bibliography: ABV 109, 21; Para 44, 21; Add² 30; CVA Louvre 11 Taf. 125 (798), 1–4; Beazley, Dev² (1986) Taf. 33; Tiverios, Lydos (1976) 130 Nr. 35 Taf. 26 B, 27; Schefold, SB II Abb. 343; Shapiro, H. A., AJA 88, 1984, 527 Taf. 68, Abb. 5; Anderson, M., The Fall of Troy in Early Greek Pottery and Art (1997) 208 Abb. F. Zardini: The Myth of Herakles and Kyknos (2009) ID 108.
LIMC/ThesCRA Place/Museum: France, Paris, Musée du Louvre, Inventory: F 29 (1. Inv.)

ID: f5dadbe097454a2589eb677a6d8955d3
Name: 2031X203.jpg
Size: 51.57 kb
Dimensions: 416x600 px
Resolution: 72x72 ppi

Title: MID233, SMID2031
Description: amphora, vase painting, black figured, Attica – Material: terracotta – Artist: Lydos – Dating: -570/-550 – Discovery: (not specified) – Description: Priamos liegt rücklings auf Altar (aus Quadern in isodomer Weise errichtet, fünf Reihen erhalten). – Dimensions: Fr.
Keywords: MIte>IIte>D233, SMIte>IIte>D2031, AIte>IIte>as Ite>IIte>Ite>IIte> 50, Astyanax Ite>IIte> 8, Athena 83, Ite>IIte>lIte>IIte>oupersIte>IIte>s (S) 1, Kassandra Ite>IIte> (vol. VIte>IIte>Ite>IIte>) 57, Kyknos Ite>IIte> (vol. VIte>IIte>Ite>IIte>) 148, PrIte>IIte>amos 136, amphora, vase paIte>IIte>ntIte>IIte>ng, black fIte>IIte>gured, AttIte>IIte>ca, terracotta, Lydos, -570/-550, France, ParIte>IIte>s, Musée du Louvre, F 29, shIte>IIte>eld, PalladIte>IIte>on, spear, supplIte>IIte>ant, supplIte>IIte>catIte>IIte>on, hIte>IIte>kesIte>IIte>a, greaves, altar buIte>IIte>lt of square stones, Ite>IIte>lIte>IIte>oupersIte>IIte>s, AIte>IIte>as Ite>IIte>Ite>IIte>, Astyanax Ite>IIte>, Athena, Kassandra Ite>IIte>, Kyknos Ite>IIte>, PrIte>IIte>amos
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID233, SMID2031 – LIMC/ThesCRA: Aias II 50, Astyanax I 8, Athena 83, Ilioupersis (S) 1, Kassandra I (vol. VII) 57, Kyknos I (vol. VII) 148, Priamos 136
LIMC/ThesCRA Keywords: shield, Palladion, spear, suppliant, supplication, hikesia, greaves, altar built of square stones, Ilioupersis, Aias II, Astyanax I, Athena, Kassandra I, Kyknos I, Priamos
LIMC/ThesCRA Bibliography: ABV 109, 21; Para 44, 21; Add² 30; CVA Louvre 11 Taf. 125 (798), 1–4; Beazley, Dev² (1986) Taf. 33; Tiverios, Lydos (1976) 130 Nr. 35 Taf. 26 B, 27; Schefold, SB II Abb. 343; Shapiro, H. A., AJA 88, 1984, 527 Taf. 68, Abb. 5; Anderson, M., The Fall of Troy in Early Greek Pottery and Art (1997) 208 Abb. F. Zardini: The Myth of Herakles and Kyknos (2009) ID 108.
LIMC/ThesCRA Place/Museum: France, Paris, Musée du Louvre, Inventory: F 29 (1. Inv.)

ID: c383aa37912e4b008a3b216c3af1d11a
Name: 35173X001.jpg
Size: 51.86 kb
Dimensions: 600x553 px
Resolution: 72x72 ppi

Title: MID33453, SMID35173
Description: gem – Discovery: (not specified)
Keywords: MIte>IIte>D33453, SMIte>IIte>D35173, ChIte>IIte>maIte>IIte>ra 99, gem, Germany, München, StaatlIte>IIte>che Münzsammlung, A 1322, AGD Ite>IIte> 1, 136
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID33453, SMID35173 – LIMC/ThesCRA: Chimaira 99
LIMC/ThesCRA Bibliography:
LIMC/ThesCRA Place/Museum: Germany, München, Staatliche Münzsammlung, Inventory: A 1322 (2. Inv.), AGD I 1, 136 (1. Inv.)

ID: dad05d6b059741e3b31045e96b0fd9a7
Name: 28967X001.jpg
Size: 75.3 kb
Dimensions: 600x394 px
Resolution: 72x72 ppi

Title: MID27584, SMID28967
Description: relief, relief, Roman – Material: stone – Discovery: (not specified)
Keywords: MIte>IIte>D27584, SMIte>IIte>D28967, AIte>IIte>as Ite>IIte> 136, Eurysakes 2, relIte>IIte>ef, Roman, stone, Germany, Regensburg, Museen der Stadt Regensburg, Kunst- und KulturgeschIte>IIte>chtlIte>IIte>che Sammlungen, 61, sword, suIte>IIte>cIte>IIte>de, chIte>IIte>ld, AIte>IIte>as Ite>IIte>, Eurysakes
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID27584, SMID28967 – LIMC/ThesCRA: Aias I 136, Eurysakes 2
LIMC/ThesCRA Keywords: sword, suicide, child, Aias I, Eurysakes
LIMC/ThesCRA Bibliography: Reinach, RépRel II 84; Toynbee, J. M. C., Greek Myth in Roman Stone, Latomus 36, 1977, 343–412 pl. 7 fig. 7.
LIMC/ThesCRA Place/Museum: Germany, Regensburg, Museen der Stadt Regensburg, Kunst- und Kulturgeschichtliche Sammlungen, Inventory: 61 (1. Inv.)

ID: e7f80472f3d94bb7bb583b5e859888f4
Name: 11759X002.jpg
Size: 67.81 kb
Dimensions: 600x432 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: bd724a6f004f4ac7b2ee6352d89f12f6
Name: 11759X004.jpg
Size: 57.76 kb
Dimensions: 441x600 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: c88d1c7003404658863c609614290244
Name: 11759X005.jpg
Size: 64.19 kb
Dimensions: 600x421 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 89955479e2744e17aca7a18390f804a8
Name: 11759X006.jpg
Size: 90.06 kb
Dimensions: 551x600 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 2fafa07339104415a4bfac66f395010e
Name: 11759X007.jpg
Size: 64.49 kb
Dimensions: 383x600 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 7e8db3774ff746a0aa6ec58a2cc721ee
Name: 11759X008.jpg
Size: 65.79 kb
Dimensions: 600x407 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 9d64f242ab234815a7ebaa27adab8c4a
Name: 11759X009.jpg
Size: 60.18 kb
Dimensions: 600x420 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 7aa3591092454ea59d9ccab4d691a32d
Name: 11759X012.jpg
Size: 64.87 kb
Dimensions: 600x418 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 93d93e5d1f1f40d0a97fbbbd06d46c2b
Name: 11759X015.jpg
Size: 41.91 kb
Dimensions: 600x201 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 1e2206763e3d4babb50286e04c9ef2af
Name: 11759X017.jpg
Size: 37.99 kb
Dimensions: 600x157 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 2aa2979528c645008161ec17f8ddceff
Name: 11759X018.jpg
Size: 45.78 kb
Dimensions: 600x257 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 658930ebecbf4624a0682ad2760a647f
Name: 11759X019.jpg
Size: 78.66 kb
Dimensions: 450x600 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: c3d1fb1fbfa4483886d00d094678df70
Name: 11759X020.jpg
Size: 64.57 kb
Dimensions: 600x456 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 10c8b5b4e7764936b2e929b4c2331485
Name: 11759X021.jpg
Size: 59.16 kb
Dimensions: 600x395 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: ce1a84be4ba6424cae8ac8ada3bba1bc
Name: 11759X040.jpg
Size: 82.13 kb
Dimensions: 474x600 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 9b03b181d9ad49569eacfa1743aa7719
Name: 11759X041.jpg
Size: 55.44 kb
Dimensions: 600x325 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 3f745e40acbe4fb38418ce06e7c4e070
Name: 11759X101.jpg
Size: 56.4 kb
Dimensions: 600x288 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 62eca5555b1245e293ac2582c36b4dc5
Name: 11759X103.jpg
Size: 86.21 kb
Dimensions: 600x477 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 6433aa7bf7234cde97966f96bae2afcc
Name: 11759X104.jpg
Size: 59.52 kb
Dimensions: 600x421 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 845abd3cf55d44e585794e4f6564ca14
Name: 11759X106.jpg
Size: 77.66 kb
Dimensions: 600x479 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 8c9e08e4e0584b5a96d798ddf611f841
Name: 11759X107.jpg
Size: 51.23 kb
Dimensions: 600x350 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: 7c7ed37fbfda4544b6d0af81ff833307
Name: 11759X108.jpg
Size: 72.38 kb
Dimensions: 600x433 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: bf28a1383de24d899570b633dad797f6
Name: 11759X109.jpg
Size: 57.99 kb
Dimensions: 423x600 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: bc3baf7833464d748dd6222198b2c453
Name: 11759X110.jpg
Size: 49.79 kb
Dimensions: 600x307 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
Copyright Notice: To order this picture, please apply to the institution or individual who owns the object
LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)

ID: b35012cafddc4e7698093702dad50f5a
Name: 11759X111.jpg
Size: 54.24 kb
Dimensions: 600x286 px
Resolution: 72x72 ppi

Title: MID2081, SMID11759
Description: frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: MIte>IIte>D2081, SMIte>IIte>D11759, frIte>IIte>se est, Aglauros, Herse, Pandrosos 40, AIte>IIte>as Ite>IIte> 11, AIte>IIte>geus 40, Akamas et Demophon 30, AntIte>IIte>ochos 10, AphrodIte>IIte>te 1404, Apollon 866, Ares 116, ArtemIte>IIte>s 1180a, Athena 237, Athena 593, Demeter (vol. Ite>IIte>V) 423, DIte>IIte>one 9ad, DIte>IIte>onysos 486, DodekatheoIte>IIte> 4a, Erechtheus (vol. Ite>IIte>V) 48a, Erechtheus (vol. Ite>IIte>V) 79, Eros 842c, Hebe Ite>IIte> 31, HephaIte>IIte>stos 178, Hera 208, Hermes 779, HestIte>IIte>a 10, HIte>IIte>ppothoon 21, Ite>IIte>rIte>IIte>s Ite>IIte> 68, Kekrops (vol. VIte>IIte>) 31, Leos 3, OIte>IIte>neus Ite>IIte> (S) 6, PandIte>IIte>on 1, Phorbas Ite>IIte> (S) 17, PoseIte>IIte>don 136, SphIte>IIte>nx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus Add 22, Ite>IIte>. 1. ProzessIte>IIte>onen gr 72, Ite>IIte>. 2.b. LIte>IIte>batIte>IIte>on 19, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 112, Ite>IIte>Ite>IIte>. 5. KultbIte>IIte>lder 215, V. 2.b. KultIte>IIte>nstrumente 272, V. 2.b. KultIte>IIte>nstrumente 407, frIte>IIte>eze, relIte>IIte>ef, marble, -440, AthensAcropolIte>IIte>s, Greece, Athens, AcropolIte>IIte>s Museum, FrIte>IIte>ses, phIte>IIte>ale, phIte>IIte>ale mesomphalos, patera, jug, prIte>IIte>est, dIte>IIte>phros, kanoun, offerIte>IIte>ng basket, cloth, textIte>IIte>le, thymIte>IIte>aterIte>IIte>on, turIte>IIte>bulum, Ite>IIte>ncense-burner, youth, sphIte>IIte>nx, cushIte>IIte>on, seat wIte>IIte>th back-rest, Aglauros (Agraulos), AIte>IIte>as Ite>IIte>, AIte>IIte>geus, AntIte>IIte>ochos, AphrodIte>IIte>te, Apollon, Ares, ArtemIte>IIte>s, Athena, Demeter, DIte>IIte>one, DIte>IIte>onysos, DodekatheoIte>IIte>, Erechtheus, Eros, Hebe Ite>IIte>, HephaIte>IIte>stos, Hera, Hermes, HestIte>IIte>a, HIte>IIte>ppothoon, Ite>IIte>rIte>IIte>s Ite>IIte>, Kekrops, Leos, OIte>IIte>neus Ite>IIte>, PandIte>IIte>on, Phorbas Ite>IIte>, PoseIte>IIte>don, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Creator: Institution or individual who owns the object
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LIMC/ThesCRA ID: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
LIMC/ThesCRA Keywords: phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
LIMC/ThesCRA Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
LIMC/ThesCRA Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)