Name: 11759X002.jpg
Size: 67.81 kb
Dimensions: 600x432 px
Resolution: 72x72 ppi

ID: e7f80472f3d94bb7bb583b5e859888f4
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X004.jpg
Size: 57.76 kb
Dimensions: 441x600 px
Resolution: 72x72 ppi

ID: bd724a6f004f4ac7b2ee6352d89f12f6
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X005.jpg
Size: 64.19 kb
Dimensions: 600x421 px
Resolution: 72x72 ppi

ID: c88d1c7003404658863c609614290244
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X006.jpg
Size: 90.06 kb
Dimensions: 551x600 px
Resolution: 72x72 ppi

ID: 89955479e2744e17aca7a18390f804a8
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X007.jpg
Size: 64.49 kb
Dimensions: 383x600 px
Resolution: 72x72 ppi

ID: 2fafa07339104415a4bfac66f395010e
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X008.jpg
Size: 65.79 kb
Dimensions: 600x407 px
Resolution: 72x72 ppi

ID: 7e8db3774ff746a0aa6ec58a2cc721ee
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X009.jpg
Size: 60.18 kb
Dimensions: 600x420 px
Resolution: 72x72 ppi

ID: 9d64f242ab234815a7ebaa27adab8c4a
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X012.jpg
Size: 64.87 kb
Dimensions: 600x418 px
Resolution: 72x72 ppi

ID: 7aa3591092454ea59d9ccab4d691a32d
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X015.jpg
Size: 41.91 kb
Dimensions: 600x201 px
Resolution: 72x72 ppi

ID: 93d93e5d1f1f40d0a97fbbbd06d46c2b
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X017.jpg
Size: 37.99 kb
Dimensions: 600x157 px
Resolution: 72x72 ppi

ID: 1e2206763e3d4babb50286e04c9ef2af
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X018.jpg
Size: 45.78 kb
Dimensions: 600x257 px
Resolution: 72x72 ppi

ID: 2aa2979528c645008161ec17f8ddceff
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X019.jpg
Size: 78.66 kb
Dimensions: 450x600 px
Resolution: 72x72 ppi

ID: 658930ebecbf4624a0682ad2760a647f
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X020.jpg
Size: 64.57 kb
Dimensions: 600x456 px
Resolution: 72x72 ppi

ID: c3d1fb1fbfa4483886d00d094678df70
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X021.jpg
Size: 59.16 kb
Dimensions: 600x395 px
Resolution: 72x72 ppi

ID: 10c8b5b4e7764936b2e929b4c2331485
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X040.jpg
Size: 82.13 kb
Dimensions: 474x600 px
Resolution: 72x72 ppi

ID: ce1a84be4ba6424cae8ac8ada3bba1bc
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X041.jpg
Size: 55.44 kb
Dimensions: 600x325 px
Resolution: 72x72 ppi

ID: 9b03b181d9ad49569eacfa1743aa7719
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X101.jpg
Size: 56.4 kb
Dimensions: 600x288 px
Resolution: 72x72 ppi

ID: 3f745e40acbe4fb38418ce06e7c4e070
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X103.jpg
Size: 86.21 kb
Dimensions: 600x477 px
Resolution: 72x72 ppi

ID: 62eca5555b1245e293ac2582c36b4dc5
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X104.jpg
Size: 59.52 kb
Dimensions: 600x421 px
Resolution: 72x72 ppi

ID: 6433aa7bf7234cde97966f96bae2afcc
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X106.jpg
Size: 77.66 kb
Dimensions: 600x479 px
Resolution: 72x72 ppi

ID: 845abd3cf55d44e585794e4f6564ca14
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X107.jpg
Size: 51.23 kb
Dimensions: 600x350 px
Resolution: 72x72 ppi

ID: 8c9e08e4e0584b5a96d798ddf611f841
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X108.jpg
Size: 72.38 kb
Dimensions: 600x433 px
Resolution: 72x72 ppi

ID: 7c7ed37fbfda4544b6d0af81ff833307
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X109.jpg
Size: 57.99 kb
Dimensions: 423x600 px
Resolution: 72x72 ppi

ID: bf28a1383de24d899570b633dad797f6
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X110.jpg
Size: 49.79 kb
Dimensions: 600x307 px
Resolution: 72x72 ppi

ID: bc3baf7833464d748dd6222198b2c453
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X111.jpg
Size: 54.24 kb
Dimensions: 600x286 px
Resolution: 72x72 ppi

ID: b35012cafddc4e7698093702dad50f5a
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X112.jpg
Size: 62.67 kb
Dimensions: 600x427 px
Resolution: 72x72 ppi

ID: 8762f0a154a14573b319492e6c49a6cb
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X113.jpg
Size: 54.11 kb
Dimensions: 600x276 px
Resolution: 72x72 ppi

ID: 9135c4dd861144ec816a61a21cdb830b
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X114.jpg
Size: 56.98 kb
Dimensions: 600x333 px
Resolution: 72x72 ppi

ID: 41510f0796b24b1e82913404ada84080
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X115.jpg
Size: 61.25 kb
Dimensions: 600x317 px
Resolution: 72x72 ppi

ID: b88b7b5a83964368bb5f18aeca72ec33
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object

Name: 11759X233.jpg
Size: 99.11 kb
Dimensions: 600x436 px
Resolution: 72x72 ppi

ID: 40b322ab62144df5bb15ff739a25d417
Place/Museum: Greece, Athens, Acropolis Museum, Inventory: Frises (1. Inv.), (1. Inv.), (1. Inv.)
LIMC/ThesCRA: MID2081, SMID11759 – SceneSide: frise est – LIMC/ThesCRA: Aglauros, Herse, Pandrosos 40, Aias I 11, Aigeus 40, Akamas et Demophon 30, Antiochos 10, Aphrodite 1404, Apollon 866, Ares 116, Artemis 1180a, Athena 237, Athena 593, Demeter (vol. IV) 423, Dione 9ad, Dionysos 486, Dodekatheoi 4a, Erechtheus (vol. IV) 48a, Erechtheus (vol. IV) 79, Eros 842c, Hebe I 31, Hephaistos 178, Hera 208, Hermes 779, Hestia 10, Hippothoon 21, Iris I 68, Kekrops (vol. VI) 31, Leos 3, Oineus I (S) 6, Pandion 1, Phorbas I (S) 17, Poseidon 136, Sphinx (S) 44, Trapezo/Trapezophoros et Kosmo 2, Zeus, Add. 22, I. 1. Prozessionen, gr. 72, I. 2.b. Libation 19, II. 5. Kultbilder 112, II. 5. Kultbilder 215, V. 2.b. Kultinstrumente 272, V. 2.b. Kultinstrumente 407
Description: Frieze, relief – Material: marble – Dating: -440 – Discovery: AthensAcropolis – Description: One hundred and sixty meters of low relief sculpture, c. 1 meter high, set as the crown of the outside of the cella wall, just below the ceiling of the colonnade. The west frieze depicts the preparation of horsemen. On the north and south friezes are ranks of horsemen, charioteers and apobatai (altogether 21 chariots), older men (perhaps thallophoroi), musicians (auletai and kitharoidoi), hydriaphoroi, skaphephoroi and sacrificial animals (sheep and cows on the north, only cows on the south). The east frieze features women carrying sacrificial implements (kistai, thymiateria, phialai, oinochoai), magistrates and elders (perhaps the eponymous heroes of Athens), the Olympian gods, and the unfolding of a ritual garment. Although interpretation is much debated, that first suggested by Stuart and Revett – that the frieze depicts the Panathenaic procession – is most likely.
Keywords: Phiale, phiale mesomphalos, patera, jug, priest, diphros, kanoun, offering basket, cloth, textile, thymiaterion, turibulum, incense-burner, youth, sphinx, cushion, seat with back-rest, Aglauros (Agraulos), Aias I, Aigeus, Antiochos, Aphrodite, Apollon, Ares, Artemis, Athena, Demeter, Dione, Dionysos, Dodekatheoi, Erechtheus, Eros, Hebe I, Hephaistos, Hera, Hermes, Hestia, Hippothoon, Iris I, Kekrops, Leos, Oineus I, Pandion, Phorbas I, Poseidon, Trapezo, Trapezophoros, Zeus, Akamas, Demophon
Bibliography: F., Brommer, Der Parthenonfries (1977) 108–119 fig. 164ff. pl. 163–165. 168. 170–171. 184. 263–270; Berger, E. /Gisler-Huwiler, M., Der Parthenon in Basel. Dokumentation zum Fries (1996) 148–169 Taf. 128–140; Barber, E. J., The Peplos of Athena, in Neils, J., Goddess and Polis (1992) 112–117 fig. 72; Zaccagnino 129 RT 46–47 Taf. 6–7; Kron, Phylenheroen 202–214 pl. 30–31. Brommer, F., Der Parthenonfries (1977); Kron, Phylenheroen 202–214 pl. 30–31; Pollitt, J. J., in Buitron-Oliver 51–65; Jenkins, I., The Parthenon Frieze (1994); Berger/Gisler-Huwiler, PartheDokFries; Neils (2001); Gebauer, J., Pompe und Thysia. Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen, Münster (2002) 209–212; Simon, E., Festivals of Attica, 1983, pl. 18–22, 1; ThesCRA VII 3 Festivals, gr. 3 Bilder... Anm. 25; Himmelmann, N., Tieropfer in der griechischen Kunst (1997) 37 Abb. 22–27; Marconi, C., The Parthenon frieze: Degrees of visibility, Res 55/56 (2009) 156–173.
Copyright notice: To order this picture, please apply to the institution or individual who owns the object